Tere Liye Tere Liye
Lafzon Mei, Lamhon Ki, Doliyan Laaye Hain
Sheron Mei, Khushboo Ki, Boliyan Laaye Hain
Yes, this is a gift from Gulzar & Vishal to all of us; a gift of musical words detailing certain moments which have been carefully crafted. Teaming with Vishal Bharadwaj yet again, Gulzar brings us this buoquet of songs with flowers of all moods.
Halki Si Sardiyan Aur Saans Garam Ho
Shaamo Ki Shawl Bhi, Thodi Si Narm Ho
Tere Liye Kishmish Chuney, Pistey Chuney, Tere Liye
Humne To Parindo Se, Baaghon Ke Saude Kiye
The sweetness of Suresh Wadkar’s voice pours honey into our ears. This song Tere Liye is sweeter than the lullaby Jag Ja that Wadkar sang in Omkara. There is a romantic huskiness that he has infused into the song and that actually works for it. Wish other musicians would utilize his voice too, its been such an under-used voice.
The same can be said of KK too. When I heard him in O’Mama, I felt I was hearing his voice after such a long time. KK rocked the song. His voice is perfect for that pitch and the high-level energy.
Aise Dabey Paon Aaye Woh Ki Chhaap Na Ho
Khwaab Mei Mil Jaaye Lekin Woh Khwaab Na Ho
Umeed To Nahin, Phir Bhi Umeed Ho
Koi To Iss Tarah, Aashiq Shaheed Ho
And the way Gulzar glides from sweet melody to a rock song mode is fantastic. This reminded me of Mai Khuda from Paanch. Vishal’s composition of this song is superb, with great orchestration.
But Vishal does not restrict himself to composing, he takes to the mike too. The song Bekaraan is similar sounding to the title song of Kaminey. The same voice quality and softness is in display. Its like an onion that he peels, layer after layer; wallowing in emotions.
Ik Zara Dekhiye To, Aapke Paon Taley
Kuchh To Atka Hai Kahin, Waqt Se Kahiye Chaley
Udti Udti Si Nazar Mujhko Chhoo Jaye Agar
Ek Tasleem Ko Har Baar Meri Aankh Jhuki Hai
Aap Ko Dekh Ke Badi Der Se Meri Saans Ruki Hai
Its a beautiful poetic expression of how time comes to a stand-still and the tender request to let time move on as the moment hath passed. Gulzar is a true wizard of words and phrases.
His devotional lyrics in Yeshu song has a haunting feel of loneliness and search for the Almighty. It highlights the fact that we think of the Lord only at times of desperation and need for a saviour, much like the way a child looks to hide itself in the safe arms of his mother.
Koi Nahin Iss Waqt Yahan
Iss Waqt Mujhe Apnaana
Aagosh Mei Apni Le Lo
Phir Chaahe Jahan Le Jaana
But what’s even more remarkable is the way Gulzar paints the picture of Christ bearing the cross, although his love is all encompassing.
Tum Pyaar Hi Pyaar Ho Lekin
Kya Pyaar Saleeb Hoti Hai
Rekha Bharadwaj has sung this soft number in an inimitable voice that envelops empathy, love, yearning, desperation and loneliness. Each line of the song has an accentuated expression. What was surprising was that, there was no church-bell or sounds of gong or a ticking clock in the song.
In the album, the above song is preceeded by another rock number Dil Dil Hai, sung by Suraj. Not many may recall but Suraj had sung the Zahreelay Zahreelay song in Rock On! Here too, Suraj has put in all his energy.
Dil Dard Ki Matki Hai, Dil Jaan Ki Aafat
Badmashiyan Karke, Dikhlaaye Sharafat
Jo Dil Ko Chura Le, Dil Uski Amaanat
Sab Ishq Ke Mujrim, Ik Dil Ki Zamaanat
John Abraham is a rock star in the movie, so I guess this song would be picturised on him. I don’t recall any rock songs of Gulzar, prior to this album, but here he gives us two gems. The words are not there as fillers, these are well meaning lyrics and not casual rhymes. Hats off to Gulzar for switching between genres/subjects of different songs without diluting the intensity. And accolades to Vishal too.
While we think that all moods have been covered, Vishal surprises us with Awaara song. Sung beautifully by Master Saleem, this is fabulous song describing a nomadic existence. A life of wantoness, moving from one place to another without being rooted.
Hawa Pe Rakhe Sookhe Patte, Awaara
Paon Zameen Pe Lagte Hi Udd Lete Hain Dobara
Na Shaakh Judey, Na Jadh Pakdey
Mausam Mausam Banjara
Saleem has added another dimension to the song by singing it with such gusto, else it would have become just another song. Anyhow, I fear this still could just end-up becoming one of the lesser heard songs from the movie.
And now for the Darling song that is the face of the movie as part of the first trailer.
Darling, Aankhon Se Aankhen Chaar Karne Do
Roko Na Roko Na Mujhko Pyaar Karne Do
Bekaif Hai Bahara, Bechain Jaane Yaara
Bulbulon Ko Abhi Intezaar Karne Do
I was so happy to hear Usha Uthup sing again; and alongside Rekha Bharadwaj, that was such a treat. They complement each other very well, without stomping on each other’s foot. Both bring their own uniqueness to the song and can be audibly distinguished. Also, since they have sung on different notes and pitch it enriches the hearing experience. The “rrrr” factor as in Darrrrrling and Rrrrokona is so rhythmic.
Even the reprise of the song, Doosri Darling, is fantastic. That song has a faster tempo making it sound like a remix which it is not. The two versions are very distinct, one from this land and the other from beyond the Khyber Pass, lyrically.
Finally the acoustic version of O’Mama is a slow painful reprise of the original song. The cat’s meow seems a lot mellow here as KK restrains himself. If the original was a full blown act, this is a quickie; same effect but low in intensity.
Overall, the album is a collector’s as well as a listener’s delight.
This post was first published on PFC