Last night I was watching Kungfu Panda-2, again. This time in 2D and in the comfort of my house. I had first seen the movie on the big screen in 3D, more than 6 months ago. But the movie is so much fun that I didn’t get bored even in the second watch, I did miss the 3D effects though. Jack Black is so good with his voice modulation, and the many expressions that his dialogue delivery can convey is amazing.
Kungfu Panda was one of the few movies that was worthy of a sequel. And the sequel was as good as, if not better than, the original. There was a definite story backed by a good narrative and fine dialogues. Even the comic quotient was very well done, it wasn’t forced into the story.
The story has a Harry Potter like prophecy, where a ‘warrior of black & white’ is supposed to end Shen’s rule. Shen, the peacock, was disbanded by his father for having evil aspirations. But he was not going to give up so easily. He took the path of destruction and anyone who would come in his way would be knocked off. Po, the dragon warrior, was out there protecting the valley from Shen. All was going well, when suddenly the flares and the fire around Po brought back old memories to me.
What was unfolding before my eyes was Zanjeer! I am not sure why this did not strike me while watching the movie first time around. I was a little surprised that both movies had so much in common.
A very long time ago, our beloved inspector Vijay was in the lookout for Teja to end his criminal activities. Teja was a cause of concern for the police and a threat to civillian life. Similarly, Shen’s ambitions were big and his actions went uncontrolled.
Po and Vijay, both, are haunted by a nightmare. A bad dream kept waking them up from sweet sleep to harsh awakening; and they kept fighting it off. Both these souls were searching for inner peace. As master Shifu says very early in the movie, some attain inner peace by meditating while others get it by going through pain in their hearts. They both had to come to terms with their past, the hard way.
Inner peace is something we all look for. Its the stimulus that helps us cope with vagaries of life. Unkept promises, unfulfilled dreams, unachieved targets and many such unresolved issues can take away our peace. So, inspite of the clear sky we are unable to see due to mist in our eyes and cloud-cover on our minds. And then there is a moment when all these things come back to bite us. That’s when we need inner peace the most.
Yes, it was a fiery night. The lights of Diwali and the surrounding fireworks had burnt the pages of Vijay’s childhood and left him an orphan. Similarly, Po was adopted by Zeng, the goose, when a night of fire and fury had left him homeless. Both burned in the same flame and carried the pain of separation.
Po and Vijay grew up to be brave fighters and big hearted protectors. When Po and Vijay were out there, fighting their enemy, both did not know that they also had a personal score to settle. But the audience did. Unbeknownst to them, they walked into the lion’s den and challeneged the king of the jungle. Po was ably helped by Famous Five and Khan was protecting Vijay. But in the moment of truth, it was just them against their adversary.
And in one sudden moment of flash, when they find replies to those unanswered questions and when all those mysteries become clear, they attain inner peace; just like that. Once that happens, they become unstoppable!
How much of Zanjeer did I see in Kungfu Panda-2? Apparently a lot! Not sure if you agree with me, but if someone were to remake Zanjeer sometime in the future, then this would be an ideal blue-print for it. In fact, this qualifies as a good enough remake for me. It neither tarnishes the original visuals of BigB nor makes me cringe; in fact I can happily have both in my movie collection without having to swear under my breath as we do after watching most remakes these days.
Just the other day I was listening to Kishore songs, not the sad depressing numbers which can make even a normal person melancholic, but some fun songs for a change. One thing that came out loud and clear was the fact that he enjoyed singing those songs, however silly the lyrics was or however absurd the tunes were; he gave it his all.
If a singer himself does not seem kicked about a song, how will he ever enthuse others? That’s the feeling I get when I hear those inane new talents on the numerous talent hunt shows. They come, they sing, they don’t even bother to work on the comments given by the judges [some of the judges are not even worth their salt, better not hear their comments at all] and mechanically appear again in some other show.
Anyways, back to Kishore da. He totally gets into the mood, full-on, unplugged. There are legends about Kishore and the manner in which he rendered the Khaike Paan Banaraswala number. It goes like this: Kishore actually asked for a bunch of pans which come in those cases [as seen in Padosan] and a peek-daan to spit out the paan. He sat on the floor or some kinda bed and literally rambled the words Bhang Ka Rang Jama Ho Chaka-chak. I go back to my previous para where I mentioned that unless the singer does not enjoy the song, there is very less chance that others will. And Kishore was a master of that. The kind of energy that he would blow into the song and the infectious jovial nature is unparalleled.
Since his Padosan songs have been talked about no end, I shall refrain from doing so. Let me talk about his other songs, especially from the black & white era. In the same genre as Mere Bhole Balam from Padosan was a song called Gaana Na Aya Bajana Na Aya, Dilbar Ko Apna Bana Na Aya. Its a hilarious song that blows your top-off. Kishore is seen trying to create a new song and the result is pure comedy. The lyrics were again by Rajendra Krishen and music by Hemant da. There is a small Brit accent piece, Kishore trying an imitation, really funny. Who could imagine the ever-serious Hemant Kumar composing such a number, but such was the exuberance of Kishore that everyone was affected by it. Also seen in the video clip is Gemini Ganesan along with Meena Kumari who are baffled by Kishore’s antics. Probably the only time that the south matinee was seen with Kishore in the same frame.
How funny can Kishore da get? Well, turns out very funny. So funny that in the movie Aansoo Aur Muskaan, there is a song picturised on Kishore in a ashram which is called Swami Kishore-aanandam Kirtan Ashram. And the song itself is Guni Jano Bhakt Jano, which sees Kishore in the garb of a sadhu. The lyrics of the song even goes on to list all the stars of bollywood in a fine spin of words sounding like bhajan
brahmaande he koti sitaram prithvi par bhi anek sitaram
arre aashirvadam ashok-kumaram
prithvi-putram raja-kapuram shammi-kapuram shashi-kapuram
ramam shyamam dilip-kumaram purab-pashchim manoj-kumaram
arre premapujari dev-anandam, roopa-pujari IS-joharam
arre nilam-kamalam raj-kumaram, yade yadam sunil-dattam
are ittefaqam rajesh-khannam jai jaani rajendra-natham
uchhalamakudam jai mahamudam
Two of the wackiest Kishore songs feature Pran, and Kishore himself in motley attire, thats pure coincidence. In Cheel Cheel Chillake, he is dressed in a school uniform, probably on some tour in scouts jamboree. The movie was Half Ticket, I haven’t been able to see the movie yet. But if the movie is even half as good as the song, then it shall be a treat to watch.
No one can forget a pre-supposed duet song being sung by the same singer. Kishore achieved that feat in Aake Seedhi Lagi where he not only cross-dressed but also cross-voiced. He sang as Kishore for Pran and then as squeaky/screechy and rustic village-belle-Kishore for himself. I am not even finding words to describe Kishore’s ludicrous yet fantastic act. No one could have pulled it off, but him.
‘Kahani Kismat Ki’ had an unprecedented song picturisation. And much before Dharamendra had climbed atop a tank in Sholay, he was seen in a crane elevated carrier singing Rafta Rafta Dekho Aankh Meri Ladi Hai; which he does after gathering a small crowd. Towards the end, he even starts singing ghati lyrics which is hilarious, and an embarassed Rekha looks around for some kind of sanity.
Then, there is the Eena Meena Deeka number. The mukhda of the song is a string of garbled words that make no sense but have been sung with great conviction as though it were the commandments. Kishore totally believed in the song and executed it with perfection, just watch his choreography; amazing. And the lyrics of the song has some insensible wisdom. Check this
Mat socho ki sasta hai sauda
Phal paayega lagayega jo paudha
Dil ki ye kyaari banegi phulwaari
Ye duniya jalegi, jalan ki hai maari
Hasegi hasegi hasegi meri pyaari
If you thought Kishore had sung only romantic and sad songs for Rajesh Khanna, then you are wrong. Rajesh Khanna too had a fair share of Kishore’s masti songs. One of them being the Saasu Tirath, Sasura Tirath from the movie Souten. The lyrics literally mean that in-laws are are to be worshipped and visited regularly as a duty and a pilgrimage.
Another lesser spoken about song from the movie ‘Chalti Ka Naam Gadi’ was Hum The Wo Thi Aur Samaa Rangeen Samajh Gaye Na. The two brothers, Anup and Kishore, discussing the forbidden topic of an encounter with a woman which Anup hasn’t had and Kishore teases him with lyrics which go like this:
Khoya Mai Kaise Uski Baton Mei
Kehta Hoon Dam To Lene Do Ahhaha
Khoyi Woh Kaise Meri Baaton Mei
Kehta Hoon Dam To Lene Do Ahhaha
Kya Kya Keh Dala Aankho Aankho Mei
Kehta Hoon Dam To Lene Do Ahhha
Another song from the same movie, worth mentioning, is the Panch Rupaiya Barah Aana song. It so happens that Kishore repairs Madhubala’s car and she still owes him Rs.5.75. And Kishore is out to get that money, even if it means earning it by entertaining her.Watch Kishore dressed in leather pants, jacket and a feathered cap. And watch him each time he says Chahe Namoona Dekh Le and tunrs up in a different costume. This song later became an inspiration for a song in movie ‘Jeevan Ek Sanghursh’, where Amit Kumar crooned Dede Mera Dede Tu Bees Rupaiya, Twenty Rupees My Twenty Rupees.
Vinod Khanna has rarely been seen in comical acts, except for the movie Hera Pheri with BigB. But in this song Priye Praneshwari from movie ‘Hum Tum Aur Woh’ is a song which sees Vinod Khanna in never-seen-before getup. The only other funny getup Vinod Khanna ever did was in Hera Pheri. In this song, Vinod is singing to his lady love in chaste hindi and even I did not know the meaning of a few of those words. The lyrics of the song and Kishore’s rendition is just awesome.
priye praaneshwari, hridayeshwari
yadi aap hamey aadesh karey to
prem ka hum shri ganesh karey
If anyone is depressed, thinking about love and missing their loved ones, should listen to Hum To Mohabbat Karega from ‘Dilli Ka Thug’. Its another comical song which describes the extent to which a person can go, to prove his love and to stay with loved ones. After hearing words like Joota Polish Karega Tel Maalish Karega, they are bound to smile at their own stupidity and limitless affection for their loved one, what with thoughts like … joota paalish karega lekin tum par marega, laila laila karega thandi aahen bharega and doobegaa nahin tairega pyaar se ham nahin darega
A song which encapsulates the qualities that a man looks for in a woman is very humorously penned in Zaroorat Hai Zaroorat Hai Zaroorat Hai, Ek Shirimati Ki, Kalavati Ki, Seva Karey Jo Pati Ki. It may sound a bit regressive, but its to be taken with a pinch of salt; because the song is really a romantic one at heart. Sample this:
haseen hazaaro bhi ho khadey, magar usi par nazar padey
ho zulf gaalo se khelti, ke jaise din raat se ladey
adaaon mei bahaar ho, nigaahon mei khumaar ho
qabool mera pyaar ho to kya baat hai
itar mein saanse basi basi, vo mastiyo mei rasi rasi
zara si palkein jhuki jhuki, bhavey ghaneri kasi kasi
phoolon mei gulaab ho khud apna jawaab ho
vo pyar ki kitab ho to kya baat hai
And with Kishore enacting it, his facial expressions and the naugtiness in the voice was great.
This is just the beginning of a long list of Kishore-da’s songs which continue to enthrall us. The man was a complete maverick and no one entertained us, the way he did; whether it was infront of the camera or behind it, be it in the recording studios or shooting a movie. Whereever there was a fun moment, he was there; or may I put it like this – wherever he was there, there were fun moments. So, please go ahead and list your fave Kishore songs which tickled your funny bone, I am sure that won’t be a tough task!
Now that Big Boss is over, Abhishek Bachchan will be seen on the same channel at the same time from 23rd Jan, hosting a new TV show. BigB will be replace by his son AB Jr. The show is called Satruday Night Bingo and will be played in great leisure. A regular game of “housie” will just become a little more fun with celebrities and of course the common men. Watch out!
When I first saw the trailer of the movie, I was a bit surprised as to why BigB’s get-up was made to resemble a zoozoo. That bulbous head was a bit of a turn-off. But on further read-up I found that the character was suffering from a rare ageing disorder called ‘progeria’
The word is now out that the movie is inspired by Francis Ford Coppola’s movie called ‘Jack’ which starred Robin Williams. Here too, smallB is married to Vidya Balan and they give birth to a baby who suffers from genetic disorder. Enter BigB, a kid who ages at four or five times the pace at which normal humans age. So, at age of 10 he would look 50.
But unlike ‘Jack’, where Robin Williams longed to live a normal life, earn his pride and place in society and graduate from college just as Rani Mukherjee did in ‘Black’, this movie is very different. Only the premise of the rare disorder is the common thing between ‘Paa’ and ‘Jack’ but both movies have been taken to different logical conclusions.
This disorder can throw new light on the research of ageing, to find factors as to how and why people age. Hayley Okines, in 1999, was diagnosed to be having this condition and she spread the awareness. Just as TZP created huge awareness about dyslexia, hopefully this movie will do the same to progeria.
Wish all the best to the movie makers that it does well. Special wishes and prayers to Amitabh Bachchan, as he is producing the movie under ABCL banner. More power to him, amen! And hoping to see some great acting from the father-son duo, who play a father-son relationship, but its reversed role-play. Cheers!
The dope is that the premise of the movie is based on Abhimaan, except that instead of a couple we have two friends. Ajay and Sallu are both friends in different parts of the world. While Ajay, just as BigB, is popular in London as a singer of a band, Sallu plays at weddings in his hometown. But Sallu, just as Jaya Bachchan, was much more talented than Ajay.
And Ajay makes the mistake of inviting Salman to join his band. What happens next? Salman is an instant hit and a crowd puller; and nobody wants Ajay anymore. Ajay is consumed by this jealousy and big ego hurdle. He plans a vice to cut down Salman’s grwoing stature. He pushes Salman into hedonistic liefstyle with booze and babes, just before a crucial concert.
While the troop movies from Paris to Amsterdam and other places, Salman slides further into this couldron of sleaze. Will he recover? Even if he does, will Ajay realise his follies? Will Salman forgive Ajay and will their friendship hold them together?
That’s what the movie is about. Oh! I missed out on Asin. She is the lead dancer of the band. Ajay loves her, but she falls for the rural innocence of Salman Khan. That adds to Ajay’s woes, first Sallu steals his limelight and then his ladlylove. So, who finally wins over Asin!
I have not had the time to write about the recent music albums, just so tied up with work. But I did find enough time to listen to the songs of Blue, Ajab Prem Ki Ghazab Kahani, Aladin, Tum Mile and Main Aur Mrs Khanna. I tried listening to Jail and All The Best, but just couldn’t finish with them. They were so darn boring. Anyways, my favourite song these days are Chiggy Wiggy and Yaar Mila Tha from Blue. There is something weird about the Chiggy Wiggy number, I just can’t stop listening to it. It has a great start, fantastic vocals by Kylie Minogue and a superb bhangra twist by Sonu Nigam. The rhythm is just right to set your mood, fine stuff. Rahman sounds truly international with the opening 2 mins of the song and then does a bhangra fusion. The lyrics are dumb, but I can do with that as long as I enjoy the music. Whats with this:
Khaatoon ki khidmat mei khiladi ki hai khwahish … eeks!
Yaar Mila Tha is another modern fusion of rural/folksy sounding lyrics orchaestrated to genX music, much like Gendaphool in Delhi-6. The lyrics sound a bit chauvanistic, but I am sure they have been tagged to a pre-created rhythm. And the background chorus makes this song really work, infuse energy into this rustic number while Udit Narayan and Madhusree do total justice to the song.
Two other good songs in album were Rehnuma and Fiqraana. I am unable to follow the lyrics of Fiqraana, too damn difficult. But I love listening to it. Shreya Ghoshal sounds really sweet.
Moving onto APKGK. It has a racy start with Main Tera Dhadkan Teri …. Ab Bacha Kya sung by KK. This is the most catchy of the 14 songs in the album. I don’t really like the beginning piece by Hard Kaur, that actually works against the song, but the moment KK’s vocals get into the musical notes, a new life is infused to this song. 5 of the 14 tracks are remixes, total waste.
Kaise Batayen song is so jaded, sounds like a bhajan. And then Atif Aslam gets into action, Pritam’s favourite. The song is just about tolerable. Another Pritam favourite Neeraj Sridhar croons Prem Ki Naiyya and sings about it being Ram Ke Bharose. That’s all I can recall from this album, rest are just boring stuff.
Talking about boring stuff, I expected so much from Vishal Shekhar but they let me down with the music of Aladin. The genie rap is such a gimmick, trying to cash-in on Bachchan’s voice but the lyrics are a terrible let-down … aladin…tera bheja hai khali !
O Re Sawariya is another bad song. The only saving grace of the album is the song You Are The One.
You may be
Just a lil bit deewani
Thodi thodi si crazy
but baby you’re the one
Tum jaise hai na koi yun deewani
Thodi thodi si crazy
But baby you’re the one
Vishal Dadlani has written the lyrics himself and both Vishal and Shekhar have rendered the song. They probably did not want to give away this song to anybody else. Nice song this!
Another musical duo, Sajid Wajid, have composed for Main Aur Mrs Khanna. SW feature in most of Sallu’s home production movies, so also this. But as usual, except for a couple of songs they lack consistency in quality. Don’t Say Alvida is a hummable song, melodiously sung by Sonu and Shreya. Another widely unpublicised song that is sung by Rahat Fateh Ali Khan is Rabba Hai Rabba. This is one of the better songs from the movie, in an otherwise dull album.
Finally coming to Emraan Hashmi’s movie Tum Mile, this has some rather disappointing songs. Emraan is known more for his songs than the movie itself, but that’s not the case here. For once, the songs are lack-lustre and did not interest me at all. Except for Tu Hi Haqeeqat and Dil Ibaadat, rest of the song is mediocre. Pritam hasn’t given some uninspiring music. Expected a lot more from him after Love Aaj Kal. By the way, Kurbaan music is just out. Hope it turns out to be good.
No, I am not referring to the gun locket that hangs around his neck. I am really pissed off by this guy who comes with loads of attitude. Wonder where he got that kind of arrogance and the delusions of being a star.
Anyone watching Big Boss 3 will recognise this stubborn cranky man as the main attraction/distraction of the reality show. He is foul-mouthed and short-tempered and his tall claims would leave the biggest of braggers to shame. He claims that his drinking water comes from France and milk from Holland, what hogwash! He claims to be a multi-millionaire but his comfort level in the confines of Big Boss jail was admirable. He felt so much at home in the jail, he just rolled on the raised platform like a dog rolls on the ground.
But what I found most disconcerting was the fact that he was bullshitting in front of BigB, one of the most humble men on Earth. He felt no regret about his outburst on Rohit Verma and his brutal attack on fellow inmate, he definitely needs some therapy. He also had a war of words with Raju Shrivastav, a guy who usually is cool and composed, but noth this time. Raju gave it back to KRK which he could not handle. Even on previous occasions he misbehaved with other inmates like Claudia and Tanaz.
What was worse was that, he was justifying himself in the eviction episode. He was showing as if he made a sacrifice for Sherlyn Chopra. He was the most-hated character in the house, he did not perform any task and he had a bad attitude. No wonder all housemates voted him out last week. But the rising TRPs lured the producers in duping the voting public and retained him for another week, hoping that he would reform. Yeah! jerks like these never change. He just kept revealing his character flaws one after another.
The truth is that, he came to Big Boss home only to create ruckus and generate some publicity for himself. He was successful initially, in grabbing eyeballs. But later we all realised that he is not just putting up an act, he is truly full of shit. I even doubt he has a fan base that he keeps bragging about. Anyways, good riddance to bad rubbish.
Much to BigB’s credit, he played the tolerant and forgiving father so well. Long live BigB and goto hell KRK!
There is a lamp, there is Aladin and there is a genie. But that’s about it. He has grown up in a very timid, weak not really a nerd but just a weak, timid person in the college. He keeps getting bullied by all his seniors and people who are tougher and stronger than him. So he has always led a very reticent, reclusive, reserve life. Then he sees this girl in college whom he falls in love with at first sight and he needs to communicate with her. But he does not have enough courage and energy. The gang that teases him in college is always teasing him because his name is Aladin. They convince the girl to give a lamp to him as a present all as a joke. It turns out that this lamp is indeed ‘the lamp’. He has to rub it in front of them because they are making fun of him. And a man appears who is a genie. He says I am a genie, I have three wishes, I am 5,000 years old, I am due for my retirement and these are last three wishes so would you please hurry up and ask them because I need to get back.
Its stale news that BigB will be anchoring Big Boss. The fresh news is that, he is commanding a whopping 1.5 crore per episode. That’s like, 126 crore for the 84 episodes that he will anchor.
While SRK got paid 1 crore per episode for Panchvi Paas, which of course failed, both Salman and Akshay charge around 80lakhs per episode for 10KaDum and Khatron Ke Khiladi, respectively. But BigB, being the Big Boss gets the biggest pay packet.
All said and done, the man has some screen presence. His latest ads on tv, for the promotion of Big Boss, looks fabulous. He brings so much grace to the nauseatic reality show, in just the ad; wonder what’s gonna happen in the show. Looking forward to the evictions in the show!
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