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Monthly Archives: September 2009

india still in contention in champions trophy

thanks to the rains, india is still in contention. but the way we have been bowling, we just deserve to lose. its such a toothless bowling attack, and not much batting to boast about. in the absence of sehwag, gambhir and zaheer we are a depleted team who dont deserve to win.

in both matches, we bowled first. i think our best chance would be to bat first and put up a big total so that bowlers can pressurise the opposition when they come down to chase.

anyways, lets see what happens next. pak has to beat australia by a huge margin and india has to beat west indies with a huge margin. it looks unlikely that we will make it. but at the moment, we are still in the contest.

 
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Posted by on September 29, 2009 in cricket

 

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Chick Flick : Confessions Of A Shopaholic

You know that thing when you see someone cute and he smiles and your heart kind of goes like warm butter sliding down hot toast? Well that’s what it’s like when I see a store. Only it’s better.

The movie was really honest. It showed the cravings of  a shopaholic in a very open manner.

The movie is about Rebecca Bloomwood, a woman deep in debt and  a credit collection agent named Derek Smeath chasing her for debt recovery of over 9000+ dollars.

Becky is a shopaholic who just cant stop shopping. The stores beckon her, the articles and mannequins speak to her, tempt her and she gratuitously obliges. When she is fired from her current job, she gets an interview call from  Alette magazine. All positions get filled and the receptionist advises her to attend the interview with Successful Savings which is a sister concern of Alette. But on the way to this interview she spots a green scarf. The scarf entices her and the purchase hassles like credit-limit-reached etc delays her interview.

The fun begins here. A shopaholic is given the responsibility of writing a financial advise column as the girl in the green scarf. She writes things that she doesn’t believe in. She writes about savings and best deals by day and attends shopaholics-anonymous club by night; where she is taught to fight the habit. To add to the mess is the fact that she is falling in love with her boss, Luke Brandon. Luke was the same guy who helped her purchase the green scarf where she had lied that its for her aunt. Luke is mighty happy with her column and her progression as a financial advisor. Although her column is a big draw, business houses acclaim it and seek her advise; but she is busy evading the credit collecting agent.

They said I was a valued customer. Now they send me hate mail.

Her popularity zooms and she gets invited to a tv show. Among the audience is Derek Smeath who causes her public embarrassment by bringing up her debt report. Towards the end, she comes to terms with the fact that she cannot go on like this. Will she repay her debt? If yes, how? Will Luke return her affection?

The movie was pretty entertaining and hilarious at times. In one of the congregations, where shopaholics are asked to speak about their experiences and how they have been trying to fight the addiction, Becky starts describing about the sweet aroma of the store and the wonderful dresses that are in display; and she ends up disrupting the session. Whatever effort co-addicts had made comes undone as her description gives rise to everyone’s yearning for shopping.

And here is her comparison of men and mall:

A man will never love you or treat you as well as a store. If a man doesn’t fit, you can’t exchange him seven days later for a gorgeous cashmere sweater. And a store always smells good. A store can awaken a lust for things you never even knew you needed. And when your fingers first grasp those shiny, new bags… oh yes… oh yes.

If you have been with or known women who shop till they drop, then you can relate to this movie. Its just a fun watch to kill time, and does make for some genuinely funny moments. If you are not a person who shops much or visits a mall just once a month, then you will be bored for sure.

Isla Fisher played Becky really well. She brought out the inner frustrations of the character and the craving for stores pretty well. Hugh Dancy as Luke was played with lot of restraint. He was not charming, but just about nice and smart. Kristin Scott Thomas played Luke’s mother with lot of style. The director, Hogan, could have done a better job. His direction was a little inconsistent. He excelled at comic scenes, but could not handle the emotional stuff well. Overall, a nice watch.

 
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Posted by on September 29, 2009 in hollywood, movie review, movies

 

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ford figo : small car from ford is finally here

ford’s small car figo, built on the platform of fiesta was launched in delhi this week
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ford wants to compete in the small car segment as that accounts for 70% of the car sales. now, it all depends on the marketting and the pricing that they attach with this car.
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i found the design really cool. but hope the car can deliver on mileage and maintenance front. who wants good looks and bad after-sales-service.
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find more details here

 
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Posted by on September 25, 2009 in cars 'n' bikes

 

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The Curious Case Of Shilpa Shetty

Lady Limelight is a jealous lady. She wants all of your attention. You don’t have any time to think of anything else but Lady Limelight, because pretty soon that light will be shinning on somebody else. So you better do it while you can.
Buck Owens

https://i2.wp.com/www.bollywood-songs.net/images/shilpa-shetty13.jpgYesterday I was seeing a news bulletin about Shilpa Shetty wishing to meet Jade Goody, and she was telling the media that she is hoping for a miracle to save Jade Goody. She hadn’t completed the sentence yet and I laughed out loud. How fake was she! I have always felt that she is so superficial and yet successful at portraying the apparent shallowness.

If you see her filmography, you will observe that in the last 10 years in Bollywood, she has not given more than 3 hits. In 2000 she had just one hit in Dhadkan, then next 5 years were barren. Then, in 2005 she was part of the success of Dus. And her last hit was Life-In A Metro which released 2 years ago. So, she has only 3 movies from the past decade to boast about. But still, she continues to hog the limelight and be in the news. I am just amazed at how she manages to do it, make public appearance at all the events possible mainly because she is invited to them. What makes her a part of the guest-list?? No cinematic achievements, not a supermodel, not a sports personality, a mediocre actress, not venturing into politics and yet, you name the event and she is there.

Apart from the goodwill gesture shown towards Jade Goody, her last impactful action was buying a 11.7% stake in the IPL team of Rajasthan Royals, in partnership with her boyfriend/fiance Raj Kundra; following the footsteps of Preity Zinta.

Shilpa started her film career with a bang. Her first movie Baazigar hit the silver-screen in 1993, which starred SRK and Kajol was a superhit and her song Kitaabein Bahut Si Padhi Hongi Tumne and Aye Mere Humsafar was quite a rage. Though her acting was nothing to talk about, as the movie gained popularity due to SRK’s anti-hero portrayal, she gained a lot from it. Her next big hit was Main Khiladi Tu Anadi which released in 1994 and had Akshay Kumar and Saif Ali Khan. She played a dual role in the movie, and the song Churake Dil Mera became an instant hit.

After this she lost her track, got romantically involved with Akshay Kumar. Stardust magazine had printed a story about her alleged affair with the actor and was quite disparaging. Shilpa sued the magazine claiming that it had caused her immense loss in terms of movie offers and the ensuing finances, as well as mental strain and emotional drain-out. She won the lawsuit in 2000, successfully.

Around the same time, she did a quick belly-jig item number Dilwalo Ke Dil Ka Karaar Lootne, Mai Aayi Hoon UP Bihar Lootne in the movie Shool. This was a sort of comeback vehicle for Shilpa as she was almost forgotten by the public. She then signed on Dhadkan with Akshay Kumar and Sunil Shetty, directed by Dharmesh Darshan. This movie was a re-launch for her career and gave her a new lease of life. The songs of the movie did well, and the hype around the movie helped it at the box-office. Shilpa Shetty was back in all her designer wears and wedding collection garments, but her acting was really-really bad. All she did throughout the movie was sulk.

I don’t think this is worth mentioning, but becasue she was nominated by Filmfare for Best Supporting Actress in the movie Rishtey, I am writing about it. This forgettable movie released in 2002, and starred Anil Kapoor and Karishma Kapoor. Shilpa Shetty played a fisherwoman Vaijanti, and it was over the top acting, total ham-scam. She later went on to do a few Kannada and Telugu movies.

When she stopped mattering to Bollywood, out of the blue came a case of her familial linkage to the underworld. In brief, she had signed a 3 crore deal with Praful sarees and she was reportedly paid just 50 lakhs. So, she allegedly used underworld links for extortion of the remaining amount and threatening the owners of Praful sarees. Mumbai police even arrested her father on such accounts and that case is pending in the court.

After her brief disappearance and few more trashy movies, came Phir Milenge, in 2004. The movie had Salman Khan and Abhishek Bachchan, and was a rehash of Philadelphia. The movie wasn’t all that good, but AIDS awareness was the in-thing back then, and this movie rode on the waves and did decent business. But, as far as acting was concerned, she came a cropper. All the glycerin shown through, and it was kind of horror show because she had no make-up on; that itself made her thinner by 2kg.

In 2005 came Dus, where she played the Indian version of Lara Croft, with all those body-suits and fight stunts. When she made an appearance in Big Brother, she called herself the Angelina Jolie of India; wonder what gets into the heads of these celebrities, they just start flying. Anyways, in the same year, 2005, came Fareb, with her younger sister Shamita Shetty and Manoj Bajpai. Another painful watch, I kept wondering how Manoj must’ve handled the torture.

Then came the year of reckoning for Shilpa Shetty, 2007 was the year that entrenched her in people’s mind forever. She appeared in the celebrity edition of Big Brother and from then on, she has not stopped making headlines. I am still wondering as to who proposed her name for the show to be held in UK. Not many in UK would have known her, she was not among the best or top actresses in Bollywood and yet she was invited to Big Brother. Pure luck, fate, destiny, what else?

Anyways, she made it to Big Brother but she was unconvincing. Finally, the moment had arrived, the racial slur against her, which turned the tables in her favour. The racial abuse caused a nation-wide stir and became a part of prime-time reporting. An unknown Indian actress was suddenly occupying tv-space, web-space, space in print-media, and she gained popularity. The tv channel, Channel4, started receiving complains and protests demanding an apology, and in no time the votes in her favor kept piling on. She eventually won the reality show, and it was like a moral victory for all Indians.

Barely had she regained composure that Richard Gere took her breath away, literally. Shilpa Shetty and Richard Gere were on a AIDS awareness campaign, thanks to her involvement in Phir Milenge, and Gere was merely demonstrating that AIDS does not spread by kissing. He casually took Shilpa in his arms and planted a kiss on her cheeks. That was enough for the moral brigade to raise a furor and seek apologies from her. Shilpa may have forgotten the kiss, but she would definitely remember the protests against her. This was not her first brush with the self appointed custodians of culture. In 2006, she was summoned by a court in Chennai over a PIL filed against her for posing indecently. She and Reema Sen had posed for a photo-session in navel-revealing costumes and that irked the conservative narrow-minded culture-vultures.

Back to 2007, her movie Life-In A Metro released and it was received very well by the audience. Her demure portrayal as a housewife who is wronged by her chauvinist husband, played by Kaykay, got her some rave reviews. And in the same year she was signed up by Vijay Mallya to become the brand ambassador for Romanov.

Still riding on the success of Big Brother, she was made the host of the 2nd edition of Big Boss to be telecast on Indian screen in 2008. As usual, she looked glamorous, but was pathetic at hosting the show. She had limited Hindi diction and whatever she spoke in English too, was totally depending on the teleprompter, there was no spontaneity unlike Arshad Warsi who had hosted it so well in the previous edition.

Shilpa’s last screen appearance was in the Shut Up And Bounce song of Dostana, sandwiched between Abhishek Bachchan and John Abraham. Prior to this she featured in a Yoga video too.

https://i0.wp.com/wallpapers.oneindia.in/d/133005-2/shilpa-shetty_007.jpgIts 2009, she has just stepped into the IPL scene and I am not sure what we can expect from her. But whatever maybe the case, she will be the focus of every event she attends, she will be in spotlight and she will continue to be a media-savvy person, she will continue to appear glamorous and somehow make it to all the headlines, cover-photos of magazines and to the guest-list of all the events and parties. Tum Dil Ki Dhadkan Mei Rehto Ho Rehto Ho …

This post was first published on PFC

 
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Posted by on September 24, 2009 in bollywood, movies

 

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Robert Frost Poem : The Road Not Taken

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
two roads diverged in a wood, and I —
I took the one less traveled by,
And that has made all the difference.

 
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Posted by on September 23, 2009 in literature, poem

 

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reva: the electric car gets a face-lift

the new reva was showcased in frankfurt motorshow, with all new design by none other than dilip chhabria. take a look

the next reva[reva nxr] will go into production in 2010. its top speed will be 104kmph and it will go a distance of 160km per charge[if charged fully]

it will be priced at 15000 euros in the european market. and will be rolled out by 2011

 
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Posted by on September 19, 2009 in cars 'n' bikes

 

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BigB Gets Big Bucks For Hosting Big Boss

https://i1.wp.com/www.topnews.in/files/amitabh_bachchan.jpgIts stale news that BigB will be anchoring Big Boss. The fresh news is that, he is commanding a whopping 1.5 crore per episode. That’s like, 126 crore for the 84 episodes that he will anchor.

While SRK got paid 1 crore per episode for Panchvi Paas, which of course failed, both Salman and Akshay charge around 80lakhs per episode for 10KaDum and Khatron Ke Khiladi, respectively. But BigB, being the Big Boss gets the biggest pay packet.

All said and done, the man has some screen presence. His latest ads on tv, for the promotion of Big Boss, looks fabulous. He brings so much grace to the nauseatic reality show, in just the ad; wonder what’s gonna happen in the show. Looking forward to the evictions in the show!

 
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Posted by on September 17, 2009 in bollywood, general, personal

 

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preity zinta does a ‘kajra re’

preity zinta was found doing a kajra re number for salman’s home production. the song was being shot with sohail khan. the reason for doing the song is very weird. she said that the movie is being directed by her good friend prem soni and salman has played prem umpteen number of times, so she was doing the song. phew!

anyways, checkout the pic:

preity_kajra_re

 
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Posted by on September 7, 2009 in bollywood, movies

 

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prasoon joshi : a ‘gulzar’ in the making?

I have been at this post for quite a while now. But yesterday when I chanced upon this news piece that Prasoon Joshi was given the Shailendra award, I was spurred on to complete the post.

When I look around at all the lyrical mockery that’s happening and all the poetical gimmickry, I wonder what will be the fate of lyrics in cinema, going ahead. Its not a very happy picture, let me tell you. Barring a few new generation of lyricists, I don’t see much talent around.

prasoon-joshiNow, coming to the crux of the post; although we do have lyricists who churn out a few good songs, they all lack depth and versatility. That’s where my search begins for a ‘gulzar’ of the next generation. A lyricist/poet who can write sensitively, with sublimity, with progressive ideas and write on innocent situations as well as controversial stuff, who can make your blood boil as well as cool your senses, who can write about society at large as well as for the individualistic/common man, who has knowledge of historical events and keeps pace with contemporary issues. If we see the growth and maturity of Gulzar, we would all be befuddled by it. Starting with Mera Gora Rang Lai Le to Mera Kuch Saaman to Aye Zindagi Galey Laga Le to Tujhse Naraaz Nahi Zindagi to Goli Maar Bheje Mei to Fatak; his range is unfathomable.

The only person who comes to my mind, wo can carry forward the legacy of Gulzar, or who can write Gulzarian lyrics seems to be Prasoon Joshi. The talent that he has displayed through his variety of work is impressive. In fact, quite a few times his lyrics sound like its from gulzar’s school of thought. The lyrics like Maa from TZP and Khoon Chala from RDB have that distinctive Gulzar touch. Let me pick a few more works of Prasoon which seem to be the silver-lining around the dark clouds of movie lyrics.

Arziyan from Delhi-6:

Written as a quwalli, its a prayer with a lot of heartfelt thoughts. The first two lines in itself conveys the pathos of the soul. Face is the mirror of the soul; if the soul is wrankled, so will the face be. There is nothing more to explain than the expression of disdain written all over the face

Arziyaan sari main chehre pe likh ke laaya hoon
Tumse kya mangu mein tum khud hi samjah lo

He goes on to explain how people have gotten all their wishes fulfilled whenever they have approached him. The thirtsy ones who asked for a drop have received an ocean of blessings etc. I do not wish to translate it, it loses the feel. Just read it :

Jo bhi tere dar aaya, Juhkne jo sar aaya
Mastiyan piye sabko, Jhoomta nazar aaya

Pyaas le ke aaya, Dariya woh bhar laya
Noor ki barish mein bheegta sa tar aaya

Toot ke bikharna mujhko zarur aata hai
Varna ibbadat wala shaoor aata hai

Sajde mein rehne do, abb kahin na jaunga
Abb jo tumne thukraya to sawar na paunga

Sar utha ke maine to kitni khwahishen ki thi
Sar jhuka ke ek pal mei maine kya nahi paya

Really sublime!

Rehna Tu from Delhi-6:

When I first heard the song, I mistook it to be a love-song and I imagined AB Jr singing this for Sonam Kapoor. But I was pleasantly surprised that the song is dedicated to Delhi. That was a stroke of genius, where even Delhi is made to sound like a dilruba and jaaneman who is not supposed to change for anything.

Rehna Tu Hai Jaisa Tu
Thoda sa dard tu Thoda Sukun

Tujhe badalna na chahoon Rati bhar bhi sanam
Bina sajawat milawat Na jyaada na hi kaam

The character of Delhi is brought out very well and the spirit of romance is all over the song, sample these lines:

Mujhe teree barish mein beegna hai ghuljana hai
Mujhe tere lapat mein jalna rakh ho jana hai

I would like to make a mention of the song Dil Gira Dafattan, which has been written with immense feelings and emotions. And we also had Masakali which is such a fun number. So, in one album he packed a punch with such variety and depth of thoughts. In fact, in Delhi-6 he also co-wrote the screenplay which means he not only understands the medium but has also gained fine grip of it. He is looking to expand his horizons and we can expect some good story/screenplay out of him.

Maa from TZP:

I don’t get moved that easily, but this song creates the magic which can melt a stone. A beautiful peice of poetry, a dedication to every mother that echoes the sentiment of every child who has been showered by mother’s love.

Mai kabhi batlata nahi
Par andhere se darta hoon mai maa

Yun to mai dikhlata nahi
Teri parwah karta hoon mai maa
Tujhe sab hai pata hai na maa

Mom knows everything, mama’s boy, mom knows best and so many other phrases come to mind. But most of all, I recall what Mother Teresa said that God created moms so he could be everywhere.

Jab bhi kabhi papa mujhe
Jo zor se jhula jhulate hain maa
Meri nazar dhoondhe tujhe
Sochun yahi tu aake thamegi maa

Unse mai yeh kehta nahi
Par mai seham jaata hoon mai maa
Chehre pe aane deta nahi
Dil hi dil mein ghabrata hoon maa
Tujhe sab hai pata hai na maa

His delving into child psychology and coming up with such gems shows us a glimpse of his sensitivity and emotions. The ease with which he brings out those feelings is amazing.

Kholo Kholo from TZP:

I chose this song only to highlight the playful lyrics that Prasoon can come up with. This not only establishes his range but also the imagination that he is capable of.

Kholo kholo darwaze, parde karo kinare
Khute se bandhi hai hawa, Milke chhudao sare
Aajao patang leke, apni hi rang leke
Asaman ka shamiyana aaj hume hai sajana

Tu dhoop hai chham se bikhar
Tu hai nadi o bekhabar
Beh chal kahin, Udd chal kahin
Dil khush jahan, teri to manzil hai wohi

His handling of situation with such creative thoughts is beautiful. Prasoon’s lyrics in TZP is commendable because it shows the understanding that he has of children. Of course, he must have been guided by the sensitivity of Amole Gupte; but yet, to come up with such poetic lines is sheer genius. In fact, the title song of the movie and the Bum Bum Bole are songs which are at perpendiculars with each other, but Prasoon writes them both with such ease without ever losing the message in it.

Khoon Chala from RDB:

A call for revolution, a call for change, a call for new enthusiasm and a call for blood akin to what Bose once said – give me blood and I will give you freedom. Echoing those very sentiments are these wonderful lines.

kuchh kar guzarne ko khoon chala, khoon chala
aankhon ke sheeshe mein utarne ko khoon chala
badan se tapak kar, zameen se lipatkar
galiyon se raston se ubharkar, umadkar
naye rang bharne ko khoon chala, khoon chala

It brings out the pangs of revolt beautifully. Everytime I hear this, I get goose-bumps. It makes me sit up and think about how we take things so lightly instead of speaking out against it.

khuli si chot lekar, badi si tees lekar, ahista ahista
sawaalon ki ungli, jawaabon ki mutthi sang lekar, khoon chala

The movie demanded such lyrics, such pain and the subsequent actions that follow. Prasoon has very effectively described a revolt with such less words which actually translates to a whole lot of ideas.

Lukka Chhupi from RDB:

Another ‘mommy’ song but in a ballad format, sensitively written. The innovation in the song is the fact that its an ode from a dead son to his mother, which hasn’t been done before.

Luka chuppi bahut huyi, saamne aaja naa
Kahan kahan dhoondha tujhe, thak gayi hai ab teri maa
Aaja saanjh hui mujhe teri fikar
Dhundhla gayi dekh meri nazar aaja na

The manner in which the son, who is no more, describes the nether world is awesome.

Kya bataoon maa kahan hoon main
Yahan udney ko mere khula aasmaan hai
Tere kisson jaisa bhola salona
Jahan hain yahan sapno vala
Meri patang ho befikar udd rahi hai maa
Dor koi loote nahin beech se kaate na

The mother’s concern for the son and the son’s free-spirited reply makes for an enigmatic listening. This is one of the best songs to be written, not many people realize the beauty of it.

Teri raah takey aankhiyaan jaane kaisa kaisa hoye jiyaa
Dheere dheere aangan utre andhera, mera deep kahan
Dhalke suraj kare ishara chanda tu hai kahan

A couple of more songs worth mentioning are the Khalbali and Pathshala. While Khalbali brings out the angst in the youth and the boiling passion to do something, Pathshala describes college fun times and those moments of frolic and playfulness.

Let me quickly list a few more songs that would bring out Prasoon’s versatility and paint a bigger picture of his wonderful thoughts and imaginations. Two songs from Ghajini stood out, Guzarish and Kaise Mujhe Tum Mil Gayi. The two songs are written for different situations, but both are nice.

In Thoda Pyar Thoda Magic, he has written Seedhi Sapaat Zindagi which has some nice similies and Lazy Lamhe which is a totally fun song. And how can I forget the Chand Sifarish song which was a light hearted romantic number. Now this takes me back to his songs in the movie Hum Tum where he wrote Ladki Kyon Na Jaane Kyon to Chak De Saare Gham to Gore Gore Se Chhore and finally to the romantically poetic title song of the movie.

gulzarWhile I refrain from comparing Prasoon to Gulzar, I do believe that Prasoon has the pen with which he can put across creative thoughts and myriad ideas. If Gulzar is the clear stream of reason, Prasoon is a trickle of that spring, if Gulzar is that blazing sun of heated thoughts and words then Prasoon is a spark of those ignited flames, if Gulzar is the peak of serenity and calmness then Prasoon is but a hillock belonging to the same range of mountains. I just wish he continues to write, write well and touch people’s lives with his writing. I am ending this post with an ode on Prasoon using his onw words …

naam -o-nishaan rahe na rahe
ye caarvaan rahe na rahe
ujaale mai pee gaya
roshan hua jee gaya
kyon sehte rahe
ruu-ba-ruu roshni hai

This post was first published on PFC

 
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Posted by on September 3, 2009 in bollywood, lyrics, movies

 

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