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most memorable filmfare awards of 1992-93

25 Apr

Most awards, you know, they don’t give you unless you go and get them – did you know that? Terribly discouraging.
Barbra Streisand

The topic of awards is quite a sensitive one. But, at the same time its also a topic of much controversy when the right people do not get it and the wrong ones are awarded, for whatever reasons.

Like the practise goes, of giving away awards a year after they release, obviously; here too the awards were given away in 1993 for the films that released in 1992. This awards  night was the last time that I saw the entire show. One of the reasons being that, I had started losing respect for them.

Anyways, this award night was quite remarkable in more ways than one. This was also the last time that Aamir Khan attended the show. Not just attended the show, he performed too. Aamir and Juhi danced to the Ghoonghat Ki Aad Se Dilbar Ka song from the movie HHRPK. In fact, Filmfare awards was a kind of platform to promote upcoming movies and stars usually performed songs from their to-be released movies, thereby reaching a wider audience.

Shahrukh too performed, alongwith Kajol, to the songs of Baazigar. It was great to see Aamir and SRK on Filmfare podium. It just looked like the future of Indian movies was bright, in safe hands and heading in the right direction.

Coming back to the awards distribution, let me start with the last award of the night. The previous year, in 1992, Dimple Kapadia was called on stage to give away the award for Best Actor. She had pulled open the envelope with great enthusiasm and she shrieked into the mike with all her energy ‘Amitabh Bachchan for Hum‘ and had handed-over the award to Bachchan with great excitement. This being 1993, and Bachchan being nominated for Khuda Gawah, it seemed like it was more than a coincidence that Dimple Kapadia was asked to give away the prestigious award again. When she came onto the dias, she seemed to be so unexcited and disinterested. She did not even pull open the envelope, she just held it up in the air, against the light, and calmly declared ‘Anil Kapoor for Beta‘.

I felt Dimple was being teased, she herself might have felt that. That aside, when there were more worthy nominees like Aamir for JJWS and Bachchan, the award went to Anil for a movie that was carried entirely on Madhuri Dixit’s shoulder. Not just this award, Beta swept the awards with Best Actress for Madhuri, Best Supporting Actress for Aruna Irani, Best Female Singer for Anuradha Paudwal for Dhak-dhak number, and of course the Best Choregraphy for Saroj Khan for the same song.

JJWS won just 1 award for Best Film. JJWS did not win any awards in acting categories, what was more disappointing was the way in which JJWS was deprived of awards in music category. There was a minor goof-up on the stage, while the nominess were being read out for Best Lyricist, Majrooh saab heard his name and mistook it for the announcement of the winner and he just walked onto the stage. The award was very undeservedly given to Sameer for Teri Umeed Tera Intezar Karte Hain, and Majrooh’s fantastic lyrics of Pehla Nasha Pehla Khumar was swept aside. It took Simi Grewal’s experience that she handled, what could have become an utterly embarassing situation, by asking Majrooh to hand-over the award to Sameer.

After that, the Best Music Director award went to Nadeem-Shravan for Deewana, and Jatin-Lalit’s wonderful tunes of JJWS were side-lined; that was really disheartening. The worst was not over yet. The nominations in the Best Male Singer was read out and again the award went to Kumar Sanu for Sochenge Tumhe Pyar Karen Ki Nahi from Deewana. I was so disappointed that Udit Narayan did not win the award for Pehla Nasha Pehla Khumar. Not just disappointed, that was the first, last and only time that I cried for an award not being given to the most deserved one.

That very moment I told to myself, lets see 10 years down the line which song will be remembered. I did not have to wait for 10 years because within 2-3 years people forgot the tunes and lyrics of Deewana while Pehla Nasha became the anthem for all lovers, for everyone who is in love, for everybody who has romance alive in their hearts. The song has become immortal and there is hardly anyone who has not heard the song Pehla Nasha.

Pehla Nasha … a song that pushed an entire generation to fall in love, a song that resonates in our ears whenever we hear about a new budding love-story, a song thats present in every compilation of love songs and Valentine’s Day celebrations. Udit’s mellifluous voice, the simple and melodious piano sequence, the wonderful lyrics…the song is just pure magic.

There onwards, the trend continued and awards were being doled out to all the undeserving people. It turned into a popularity award instead of an award being given for talent or achievement. I soon lost faith in the awards as the sanctity of awards was being destroyed.

I was reminded of the celebrations that took place when the founders of the awards had called upon Gregory Peck to inaugrate the first Filmfare Awards. It was all so promising that we had an awards show on the lines of the Academy Awards [Oscars] and that awards would be given to recognise the contribution and talent of film-makers and as an encouragement to do better work ahead.

And here we had the institution of awards becoming a machinery being oiled by the celebrities whom the panelist/jurist/trustess favoured. The more I hated awards, the more number of awards ceremony sprung up from all quarters. We soon had Zee, Star, Screen, Stardust giving out awards. Anyways, coming back to Filmfare Awards, it was saddening to see the awards being celebritized.

To end the post on a bright note, this year the awards that were given away for movies in 2008 was much better and more fairer. I even wrote about it here. I hope they are in the right track on their way to recover lost glory.

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1 Comment

Posted by on April 25, 2009 in AWARDS, bollywood, movies

 

Tags: , , , , , , , , , , ,

One response to “most memorable filmfare awards of 1992-93

  1. Ujwal

    December 3, 2015 at 9:45 PM

    One thing you have observed well is that Majrooh Sultanpuri’s deserved the best lyricist award, this is the sole thing where you are somewhat right and other things you just talking about are only to save the grace your purposeful note, So that Your blind love for Udit Narayan get a mask. The summery of the note makes us understand only that you are a great fan of Udit Narayan. Nothing to learn from this type of garbages…..

     

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